Production Techniques
Unit code: HDFTV112
| Credit points | 12.5 Credit Points |
| Duration | 1 Semester |
| Contact hours | 72 hours per Semester |
| Campus | Prahran |
| Prerequisites | Nil |
| Corequisites | Nil |
Related course(s)
A unit of study in the Bachelor of Film and Television
Aims and objectives
Unit Aims
This unit aims to introduce students to the basic principles of video camcorder technology, production, lighting & location photography, video and camera terminology and audio recording. This enables students to put into practise video & stills production theory and gain experience in the safe and competent operation of equipment.
This unit aims to introduce students to the basic principles of video camcorder technology, production, lighting & location photography, video and camera terminology and audio recording. This enables students to put into practise video & stills production theory and gain experience in the safe and competent operation of equipment.
Learning Objectives
At the completion of this unit students should be able to:
• Use MiniDV and HDV based, prosumer video production technology;
• Use the principles of shooting to edit, demonstrating how location shooting impacts on the editing
and program creation process;
• Employ video specifications, formats and prevailing industry technical standards;
• Demonstrate competency in basic lighting techniques, as well as safe operation of production
lighting and grip equipment;
• Explore the principles of lighting, with the focus on creating 3-dimensional images that enhance the
unit of study or convey a given mood using still & moving images
• Control colour temperature and mix light sources;
• Document television industry specific production procedures and workflows in technical journal;
• Complete an individual project and series of camera and audio exercises, demonstrating
competency of basic camcorder technology.
• Creative use of camera and compositional construction
• Analysis and editing of images
Teaching methods
HDFTV112 employs a learning and teaching method centered on class lectures, demonstrations, practical workshops, and in-class practical exercises.
Assessment
Brief 1: Tech Journal.
Individual task, 15%, due Week 12
Brief 2: Shooting for Editing - MiniDV
Group task, 10%, due Week 4
Brief 3: Location & Studio Lighting
Group task, 10%, due Week 7
Brief 4: Individual 90 Second Project & Shooting HDV
Group task, 25%, due Week 13
Brief 5: Creative use of the camera and analytical image editing (Photography)
Individual task, 40%, due Week 12
Generic skills outcomes
Swinburne University works to produce higher education graduates who are capable in their chosen
profession. Learners bring to Swinburne a diverse wealth of experiences and graduate with individual
understandings, abilities and attitudes.
Within this context, HDFTV112 Production Techniques aims to provide students with the following
attributes:
• Operate effectively and ethically in work and community situations;
• Are adaptable and manage change;
• Are aware of local and international environment in which they will be contributing.
profession. Learners bring to Swinburne a diverse wealth of experiences and graduate with individual
understandings, abilities and attitudes.
Within this context, HDFTV112 Production Techniques aims to provide students with the following
attributes:
• Operate effectively and ethically in work and community situations;
• Are adaptable and manage change;
• Are aware of local and international environment in which they will be contributing.
Content
Lectures and exercises covered will include:
• Function and operation of MiniDV and HDV camcorders and still cameras
• Operation of external microphones and basic location recording;
• Lighting equipment, lighting techniques as well as production grip equipment;
• Shooting for editing and analysis of the image
• Analogue and digital video broadcast standards;
• Formats and specifications;
• Aspect ratios (4x3 and 16x9);
• Progressive and interlace acquisition modes, television industry production protocols;
• Processes and workflows;
• Film and Television industry technical information and terminology.
• Function and operation of MiniDV and HDV camcorders and still cameras
• Operation of external microphones and basic location recording;
• Lighting equipment, lighting techniques as well as production grip equipment;
• Shooting for editing and analysis of the image
• Analogue and digital video broadcast standards;
• Formats and specifications;
• Aspect ratios (4x3 and 16x9);
• Progressive and interlace acquisition modes, television industry production protocols;
• Processes and workflows;
• Film and Television industry technical information and terminology.
Working in a group environment, and based on class lectures and studio workshops, students will:
• Complete a series of exercises designed to raise technical competency in MiniDV and HDV
prosumer video production technology;
• Complete a series of exercises to explore still photography techniques
• Contribute to Class lecture discussions;
• Participate in practical workshops;
• Complete in class/studio/location practical exercises.
• Complete a series of exercises designed to raise technical competency in MiniDV and HDV
prosumer video production technology;
• Complete a series of exercises to explore still photography techniques
• Contribute to Class lecture discussions;
• Participate in practical workshops;
• Complete in class/studio/location practical exercises.
References
Bermingham, A 2003 Location Lighting for Television, Focal Press, Burlington.
Carlson, S 1993 Professional Cameramans Handbook, 4th edn. Amphoto, New York.
Cuttle, C 2003 Lighting By Design, Architectural Press.
Eisenstein, S 1947 The Film Sense, Harvest Books, San Diego.
Eisenstein, S 1949 The Film Form: Essays in Film Theory, Harvest Books, San Diego.
Fitt & Thornley, 2001 Lighting Technology, Focal Press.
Foster, H. (Ed.) 1988 Vision and Visuality, Bay Press, Seattle.
Carlson, S 1993 Professional Cameramans Handbook, 4th edn. Amphoto, New York.
Cuttle, C 2003 Lighting By Design, Architectural Press.
Eisenstein, S 1947 The Film Sense, Harvest Books, San Diego.
Eisenstein, S 1949 The Film Form: Essays in Film Theory, Harvest Books, San Diego.
Fitt & Thornley, 2001 Lighting Technology, Focal Press.
Foster, H. (Ed.) 1988 Vision and Visuality, Bay Press, Seattle.
